MoviesEgoyan feels the wrath of Cannes with ’The Captive’The first of three Canadian films gets a chilly reception in Cannes
MoviesThe agony and the ecstasy of Turner and TimbuktuFrom Mali to Mike Leigh, the Cannes competition opens with two films that find terror in rhapsodic landscapes
MoviesA game Nicole Kidman can’t save graceless ’Grace of Monaco’Kidman says she identified with Grace Kelly through the ’gilded cage’ of her marriage to Tom Cruise
CultureCanada’s year in CannesWith an unprecedented three features in competition, this is Canada’s Olympic moment in Cannes
UncategorizedPanama is ready for its close-upInspired by TIFF, Latin America’s fastest-growing film festival finds its own voice
MoviesNoah: The Ark of DarknessRussell Crowe portrays the prophet as a biblical superhero, an antediluvian dark knight
CultureOff the menu: ’Nymphomaniac’ and ’The Lunchbox’In Lars von Trier’s hard-core tale of a sex addict, his intellectual promiscuity trumps titillation
MoviesWelcome to the dollhouse: ’The Grand Budapest Hotel’With an all-star cast, Wes Anderson makes his most entertaining film—and unleashes the comedian in Ralph Fiennes
MoviesVilleneuve, Cronenberg and the two JakesWith ’Enemy,’ a Quebec auteur doubles down on Jake Gyllenhaal in a diabolical portrait of Toronto
CultureCanadian Screen Awards spread the wealth—among Quebec talent’Enemy’ and ’Gabrielle’ dominate the film prizes; ’Orphan Black,’ ’Call Me Fitz’ and ’Jack’ win TV trophies