’The Spare Room’ by Helen Garner
Helen Garner is a polarizing figure in her native Australia, where her take-no-prisoners non-fiction makes uneasy those who think there must be two sides (at least) to every story. But moral outrage, even actual rage, is no bad thing in a novelist, and Garner’s taut, angry and loving little novel, The Spare Room, about a grandmother putting up a dying friend who’s come to Melbourne for last-ditch “alternative” cancer treatment, is very good indeed. There’s a lot of real life behind this novel: the caretaker friend is named Helen; she lives, as Garner does, beside her daughter, with a break in the fence for grandchildren to pass through; and the dying Nicola is based on a late friend of Garner. Character Helen has a hard time dealing with the sweat, stench and sheer physicality of death, and a harder time dealing with the peddlers of false hope. So did novelist Helen, as she told one Australian interviewer: “I was shocked by how much anger there is. I had an urge to own those feelings. I didn’t make them up. While I was writing The Spare Room I thought, ‘I’m going to look really bad in this book, there’s no redeeming this kind of awful, ugly emotion’, and I thought, ‘I’m not going to change it. I’ll call the character Helen and admit to those feelings.’ I think this is a reason why people write. They want to put a piece of them out there and see if it can be embraced.” The answer, in a story as honest and well-written as this, is an emphatic yes.
Brian Bethune writes about ideas, books and the book trade, and religion, but what really interests him is why people believe what they believe.
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