How TV networks are adapting to millennials’ phone-first viewing habitsThis hour has two or three minutes. TV networks are investing heavily in original smartphone-friendly content
How did the bold, slow, near-silent ’Ghost Story’ get made in Hollywood?David Lowery’s ’Ghost Story’ goes so boldly against the Hollywood grain, it’s incredible that it was made at all
’Rough Night’ reveals that it’s still rough for Hollywood’s female directors’Rough Night’ is part of a wave of films from female directors changing up the summer movie season. But why do they mostly cede to Hollywood formula?
And the Palme d’Or goes to . . . a Swedish satireThe Square, Diane Kruger and Joaquin Phoenix take home prizes at this year’s Cannes Film Festival
Inside Cannes, a film festival at a crossroadsFrom virtual reality to Netflix’s arrival to the emergence of women directors, Cannes finds itself in flux at 70. What comes next?
It’s no surprise the Internet’s Rihanna-Nyong’o film is getting madeNetflix is giving life to a viral concept for a movie with Rihanna, Lupita N’yongo and Ava DuVernay—but it’s a mere extension of its existing methods
Speed-dating the stars: talking life, death, and anything but moviesIn interviews with The Meyerowitz Stories’ Dustin Hoffman, Adam Sandler, Ben Stiller and Emma Thompson, the stars riff on family, art and happiness
Our interview with Roger Moore: A lover, not a killerSir Roger Moore has died at 89. In 2012, he spoke to Maclean’s about his long-lived portrayal of James Bond, champagne on set, and much more
Netflix is the new villain Cannes loves to hate"Okja" is a novel twist on the big budget monster movie, but it was the studio behind it that first caught the audience’s attention at the festival
Michelle Williams gives Cannes a lesson in being a motherFor Michelle Williams, being a mother ’is in the centre of my life. But I think that’s pretty ordinary.’