Planet Mad Men

Mad Men has now officially replaced The Wire as the most footnoted and overanalyzed television show going. Not that there’s anything wrong with that!

As usual, The Awl’s Natasha Vargas-Cooper leads the charge with her Footnotes of Mad Men. I don’t think this is her best effort though — the Cheever references were bouncing around the Twitterverse last night, and her report doesn’t add much to that, while neglecting some of the more important themes in the show. Gawker’s usually solid replay of the previous night’s episode hasn’t been posted yet is here, and Slate’s trio of Julia Turner, Michael Agger and John Swansburg have  weighed in starting here. I think Agger’s is the best of the three.

Meanwhile, our own Jamie Weinman argues that the show has become a show about television writing, while over at my other blog, I advance the thesis that last night’s episode marked the turning point in the series, from a show about the alien fifties to one about the all-too-familiar sixties.

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