a.o. scott

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Why professional criticism still matters

New York Times critic A.O. Scott makes the case for the most maligned of literary figures

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Opening Weekend: The Beaver and The Bang Bang Club

Watching Mel Gibson try to bluff his way out of depression is more painful that seeing a burning man attacked with a machete

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FILM REVIEWS: ‘What Happens in Vegas,’ ‘The Stone Angel,’ ‘Redbelt’