REVIEW: Mick Jagger
By Philip Norman
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Brian D. Johnson
Brian D. Johnson writes about film and the arts for Maclean’s. He’s also a filmmaker, and director of the annual Toronto Film Critics Association Awards Gala.
Sarah, Ben and the seven psychos
Deconstruction gone wild in ’Argo,’ ’Stories We Tell,’ ’Seven Psychopaths,’ ’Nobody Walks,’ and ’Antiviral’
Sarah Polley’s family secrets
Oscar-nominee’s new film solves the riddle of her birth
Neil Young on the straight and narrow
An exclusive excerpt from Neil Young’s new book, a mix of memoir, meditation and rant
Brian D. Johnson picks TIFF’s Top 10
The best of the Toronto International Film Festival as chosen by our film critic ... plus! a booby prize
When movies aren’t easy: ’The Master,’ ’Laurence Anyways,’ ’Rebelle’
Paul Thomas Anderson’s opus is powered by the white-hot combustion of two actors at the top of their game
Ben Affleck shows Ken Taylor some Hollywood diplomacy
In what must be a Hollywood precedent, Taylor got to rewrite the ’Argo’ postscript—changing it from insult to tribute
Video: Spike Lee reveals Michael Jackson
Locating the artist behind the icon in ’Bad 25,’ Spike does the right thing for the King of Pop
’Silver Linings Playbook’ wins TIFF audience prize
Quebec’s Xavier Dolan’s wins Best Canadian feature for his transexual epic, Laurence Anyways
TIFF 2012: Fishing for masterpieces
As we take stock, ’The Master’ looms large, along with some groundbreaking docs