CultureBarney, unboundThirteen years, five screenwriters, one hell-bent producer: ‘Barney’s Version’ was worth it
UncategorizedTIFF 101: way to score with Canuck comedyBrian D. Johnson assess the Canadian landscape at Toronto’s international festival
CultureLightbox fantastic: the Toronto film festival’s new homeA blockbuster hybrid of cinemas, galleries and public spaces
UncategorizedFame as fiction in ‘Teenage Paparazzo’ and ‘The Tillman Story’Two new docs expose charades of manufactured celebrity
UncategorizedDavid Cronenberg on Freud, Keira and pressing the fleshHe calls Keira Knightley ’brilliant,’ Robert Downey Jr. ’glib’—and turned down ’The Girl With the Dragon Tattoo’
UncategorizedOpening Weekend: ‘The Switch,’ and ‘Lebanon’Like being stuck on a bad date with Jennifer Aniston, or buried alive in a killing machine
CultureHugh Hefner’s got a new crusadeA new film highlights the Playboy founder’s other legacy—activism
CultureCall it ’An Inconceivable Truth’A new doc makes the compelling case that terrorists are actively seeking nuclear weapons