Is this Moore’s last documentary?
If people aren’t going to rise up, why bother? That’s too bad: ‘Capitalism’ is his best one yet.
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Brian D. Johnson
Brian D. Johnson writes about film and the arts for Maclean’s. He’s also a filmmaker, and director of the annual Toronto Film Critics Association Awards Gala.
A kinder, gentler Clive Owen (but not really)
Clive Owen and director Scott Hicks create a movie hero we haven’t seen before—the widowed father who’s no saint
Diablo Cody now in sync
Diablo was disappointed that Megan Fox and Amanda Seyfried refused to do a nude scene
The rare brilliance of ’Bright Star’
Jane Campion finds truth and beauty in the dying love of John Keats
It was crazy, even without the goats
When Oprah and animals are on the red carpet, there’s no such thing as normal
Diablo Cody on camera
The Oscar-winning screenwriter dishes on Megan Fox, Steven Spielberg, writer’s block, roller coasters, teenage sex and tattoos
’Precious’ wins Oscar’s Toronto primary
It was wrap yesterday for the Toronto International Film Festival, as it staged its awards ceremony at a hotel brunch. This is...
Opening Weekend: Shape shifting with Megan Fox and Matt Damon
Reviews of ’Jennifer’s Body’ and ’The Informant!’ plus an interview with director Steven Soderbergh
Masters of the universe in free fall
Toronto’s film festival launches a new fashion in male heroism ready-made for the recession