Flower power in Cannes
The mother of all rock festivals and the mother of all film festivals meet up for the debut of Ang Lee’s new film about Woodstock
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Brian D. Johnson
Brian D. Johnson writes about film and the arts for Maclean’s. He’s also a filmmaker, and director of the annual Toronto Film Critics Association Awards Gala.
Brad and Quentin, basking ’basterds’
http://vimeo.com/4805543 A CANNES VIDEO PRESENTED BY CANON CANADA At a festival loaded with heavyweight auteurs, and light on...
Huppert hands Haneke the Palme d’Or
The Cannes jury favours dark, challenging, transgressive fare
Canadian co-pro ’Amreeka’ wins prize in Cannes
A Palestinian movie shot in Ramallah and Winnipeg scores with both audiences and critics
Through the looking glass in Cannes
From the old mastery of Alain Resnais to a to Heath Ledger’s final jest, cinema greatest romance is with itself
The Art House of Horror
Auteur cinema keeps reinventing the vocabulary of violence
The German Question
Rooting out the original sin of Nazism with Haneke and Tarantino
Cannes con artist
’In the Beginning’ is a dynamite true story about a scam artist who convinces a town to build highway
Trekking through a bold new opera
In ’The Children’s Crusade,’ the audience will take its own voyage in a desolate landscape
Brad, Quentin and the Canadian ’basterd’
Overshadowed in Cannes by Pitt and Tarantino, Mike Myers says he’s "honoured with a ’u’ "