Jonathan Winters passes away at 87
Jaime J. Weinman on why terms like ’comedy legend’ almost seem inadequate to describe him, and his influence
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Jaime Weinman
Cable networks should help themselves to broadcast leftovers
Single-camera, young-skewing half-hour comedy is the thing broadcast networks do best, for now
How Margaret Thatcher accidentally revived British cinema
Jaime J. Weinman on the art created in the wake of Thatcherism
Notes on Mad Men: Season 6, episode 1, ’The Doorway’
Jaime Weinman on Don Draper in midlife crisis
Avoiding spoilers? Not these fans
Spoiler-crazed viewers scour the web for obscure hints of what’s going to happen on a show
Getting used to life without Roger Ebert
Jaime J. Weinman on how Ebert raised the bar for film criticism
Hello, Jimmy Fallon, and hello, New York City
Jaime J. Weinman on what the programming changes mean for late night TV
Buffy’s sultry Canadian cousin
Fights, werewolves, a heroine whose power is sexiness: no wonder Lost Girl is a hit
Looking for substance in David Mamet’s Phil Spector
Jaime J. Weinman works to separate art from political awakening
Lookin’ for the Leno Leaker
Jaime J. Weinman on the Tonight Show wars