The Gospel according to Tarantino"Digital projection is the death of cinema as I know it. I don’t need to go and watch television in public."
Egoyan feels the wrath of Cannes with ’The Captive’The first of three Canadian films gets a chilly reception in Cannes
The agony and the ecstasy of Turner and TimbuktuFrom Mali to Mike Leigh, the Cannes competition opens with two films that find terror in rhapsodic landscapes
A game Nicole Kidman can’t save graceless ’Grace of Monaco’Kidman says she identified with Grace Kelly through the ’gilded cage’ of her marriage to Tom Cruise
Canada’s year in CannesWith an unprecedented three features in competition, this is Canada’s Olympic moment in Cannes