In appreciation of Philip Seymour HoffmanHe was simultaneously what we wanted to be and what we were, and so good at both that we barely even registered his face
Toronto film critics bow to ’The Master’Paul Thomas Anderson’s epic wins four prizes, while ’Bestiare,’ ’Goon’ and ’Stories We Tell’ vie for the $100,000 Rogers Best Canadian Film Award
When movies aren’t easy: ’The Master,’ ’Laurence Anyways,’ ’Rebelle’Paul Thomas Anderson’s opus is powered by the white-hot combustion of two actors at the top of their game
TIFF 2012: Fishing for masterpiecesAs we take stock, ’The Master’ looms large, along with some groundbreaking docs
Rachel McAdams, Robert Redford and TIFF’s Flying CircusRecovered memories from a lost weekend at the festival
Novice on the red carpet: Juliette Lewis liked my purse!At TIFF2011, Jessica Allen learned the ins and outs of celebrity hunting. Now she’s back ...
Working the room: Learning how it’s doneIf George Clooney and Ryan Gosling are good at anything, it’s attracting a crowd — as they demonstrated at TIFF2011
Howard Stern is a jerk—with a point to ponderGabourey Sidibe isn’t exactly on the road to becoming an "American Cinderella"
Pirate radio on cruise controlWhat’s Hoffman doing in this sentimental farce—that strips 60s music of its context and significance?