Heather O’Neill on Sarah Polley
Polley became famous when she was 11. Her story’s gone untold–until now.
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Sarah Polley: Now is not a time for women to keep quiet
The driving force behind a small-screen adaptation of Atwood’s novel Alias Grace on the mystery of Grace Marks and Canadian TV’s diversity problem
How David O. Russell hustled Hollywood, and other lessons from the Oscar nominations
Fare thee well, Coen brothers. Hello, Megan Ellison.
’Watermark’ wins TFCA’s $100,000 Rogers Best Canadian Film Award
First Polley, now Burtynsky-Baichwal—Toronto critics love docs
Exploring Alice Munro, but not through her books
Munro’s stories have inspired some extraordinary works of cinema—and some made-for-TV duds
How did a maple syrup heist movie slip through our fingers?
Canada’s film industry has been scooped by Hollywood
Four things you need to know about the Sundance Film Festival
... and one thing about Sarah Polley
Sarah Polley’s birthday triumph at the TFCA Awards
Toronto critics give Polley the $100,000 Rogers Best Canadian Film Award for her family memoir ’Stories We Tell’
Toronto film critics bow to ’The Master’
Paul Thomas Anderson’s epic wins four prizes, while ’Bestiare,’ ’Goon’ and ’Stories We Tell’ vie for the $100,000 Rogers Best Canadian Film Award
Canada’s top 10 movies in 2012, according to TIFF
The year’s best features and documentaries were announced tonight in Toronto