Polley became famous when she was 11. Her story’s gone untold–until now.
The driving force behind a small-screen adaptation of Atwood’s novel Alias Grace on the mystery of Grace Marks and Canadian TV’s diversity problem
Fare thee well, Coen brothers. Hello, Megan Ellison.
First Polley, now Burtynsky-Baichwal—Toronto critics love docs
Munro’s stories have inspired some extraordinary works of cinema—and some made-for-TV duds
Canada’s film industry has been scooped by Hollywood
… and one thing about Sarah Polley
Toronto critics give Polley the $100,000 Rogers Best Canadian Film Award for her family memoir ‘Stories We Tell’
Paul Thomas Anderson’s epic wins four prizes, while ‘Bestiare,’ ‘Goon’ and ‘Stories We Tell’ vie for the $100,000 Rogers Best Canadian Film Award
The year’s best features and documentaries were announced tonight in Toronto
The filmmakers of ‘The Fruit Hunters’ on getting their project made in the Great White North
Deconstruction gone wild in ‘Argo,’ ‘Stories We Tell,’ ‘Seven Psychopaths,’ ‘Nobody Walks,’ and ‘Antiviral’