Sitcoms

The high-concept sitcom is back, and the crazier the premise, the better

Chuck Lorre meets the modern viewer’s aversion everyday working people

TV’s comeback kid talks about sex, guns, Justin Bieber, and what Parkinson’s has given him

There is cash is in syndication, and some networks are speeding up production at the cost of quality

Jaime J. Weinman on the lesser known details of the series

Single-camera shows, shot without an audience, are all the rage

Are walking ethnic clichés better than no clichés in sitcoms?

Networks are discovering their most loyal viewers like over-60s like Ted Danson