Ruben Östlund on shame, cinema and skiing With its lived-in performances and unsettling tone, the Swedish film might just be the most intense experience you’ll have in a theatre all year.
The Good Lie’s Philippe Falardeau embraces the Hollywood machineThe Quebecois filmmaker talks about working with Reese Witherspoon and how to go Hollywood without abandoning your vision
Adam Driver is a mad star for a bland worldCan the actor’s brand of gangly, nervous aggression persevere in the face of film’s soulless leading-man stereotype?
TIFF 2014: Photo DiaryFrom celebs to selfies, look back on another fantastic TIFF with our best-of-fest gallery
TIFF 2014: The haiku reviewForget long-form reviews. Jeff Harris takes his TIFF stance in the elegant 5-7-5 haiku poem form.
Jean-Marc Vallée: Film’s redemption manThe Quebec director has been saving Hollywood stars. Now he’s doing the same for Canadian cinema.
TIFF, the Enigma MachineBrian D. Johnson recaps a festival defined by binge-watching, urban oases, and the craving to find film magic
TIFF 2014: Trends and tales from Toronto What we learned at TIFF 2014, from the best under-the-radar films to the biggest festival blunders
Why the Rob Ford drama shouldn’t upstage TIFF The film festival has been blissfully free from the City Hall circus. For the sake of the city, let’s keep it that way.
TIFF 2014 Diary: Big Game’s Samuel L. Jackson is in it to win itHighlights from the eighth day of the festival, including a butt-kicking POTUS and a philosophical Martin Scorsese