Why Archie comics always mattered
Even before today’s reboot, Archie comics could be great. Here are some of its greatest arcs according to Jaime Weinman
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Jaime Weinman
Was moralizing—not immoral behaviour—Bill Cosby’s real undoing?
The judge who unsealed Cosby’s damning deposition is not the first to be enraged by the comedian’s hypocrisy
Why TV’s old fogeys are still winning
Book review: Media critic Michael Wolff explains why digital media may not truly be the future
PACs come to Canada: Harper, Trudeau and the negative ad panic
Jaime Weinman on the latest spate of negative ads from third-party political-action groups, and why one is better than the other
Why ’Inside Out’ is likely to become one of Pixar’s biggest hits
The hit film from the director of ’Up’ revives Pixar’s simple but winning formula: originality
PC Wars II: The Imperialists Strike Back
Is our current culture really being choked out by political correctness?
Taylor Swift vs. Apple: Who really won?
The über-powerful pop star takes on Apple’s new streaming service—and while she won the battle, streaming seems to have won the war
Comics: the continuity conundrum
In an age of reboots and personal expression, is continuity the devil for comics?
Star Wars sucks. There, we said it.
From 2015: ’Star Wars’ was once lambasted. Now, criticizing it mildly draws vitriol. How did a flawed sci-fi flick become an unassailable cultural force?
On True Detective, the flat circle becomes a merry-go-round
As True Detective returns—this time with a whole new cast—viewers meet the agony and genius of anthology shows. Are they the future?