ArtsRap’s crossroads: Why big-name rappers are daring to be religiousFrom Kendrick Lamar to formerly young Jeezy, more and more big-name rappers are willing to explicitly discuss their faith on the record
ArtsThe sunny side of the mic: Rap gets positiveKendrick Lamar’s new album lands in an evolving genre where rappers are actively exploring their sensitive side
SocietyWhy Iggy Azalea can’t get any respectCritics who call Iggy Azalea a white poser reveal hip hop’s strange conservatism
ArtsMayan MCs transform a lost culture into pop cultureInspired by 50 Cent, young rappers on the Yucatán Peninsula are rediscovering their Mayan roots—and saving a language
CultureDead Obies criticized for ’franglais’ rap, blending French and EnglishRelax, writes Martin Patriquin, French is hardly threatened by these bilingual rappers from Montreal
CultureRick Ross: The most interesting man in hip hop He raps badly, has no story or street cred. How did Rick Ross end up at the top?
CultureThe meaning of MacklemoreFrom the archives: As another white rapper marches on at the 2015 Grammys, a look at the 2014 outrage over Macklemore
CultureWhat not to give DrakeEmma Teitel explains why it’s time for the rapper who has everything to let go
CultureMaclean’s archives: Rap Genius founder Mahbod MoghadamRap Genius founder Mahbod Moghadam gives the works of Drake and Jay Z the Northrop Frye treatment
On CampusWhat two epic albums say about Kanye West and Jay-ZThey’re Batman and the Joker—no, Felix and Oscar